It was a so-so decade in the film world. There were some really quality movies, but a lots of crap, too. Many endless franchises and sequels. But it was also a decade of films that became one of my favourites.
Hey! Where’s (insert a popular film)?
You’ll notice there are no some popular favourites on this list. “Dark Knight”, for example, didn’t make it even to honourable mentions; I was simply not that impressed with it (it was good, but not that good). Some others do not appear on this list because I haven’t seen them (and this especially goes for Mike Leigh’s “Another Year”, which sounds like something I’d really like). Also, I didn’t include those that were good, but didn’t make a personal impact on me. So like with any other list, this is more of “my favourites” of the decade: those that made a lasting impression or have a personal meaning to me.
Quick statistics reveal most of these films are not American (but they are all western; I hate the fact I’m not really familliar with non-western cinematography ). Sorry to say, there are no movies with Gary Oldman (who I really like, but not most of his films), but there are two starring Clive Owen and Kelly Macdonald, and even three movies with Cillian Murphy. Some of the films on the list, sadly, suffer from hype backlash, but I still like them and believe they’re great.
10. Intermission (2003)
It’s one of those stories about life, told in a complex, humorous way. There are around 10 interweaving stories, including, but not limited to: a guy who regrets breaking up with his girlfriend, but is too stupid to say so, lonely young men and middle aged women, a girl with a moustache, a dirty cop and a wild kid who just enjoys throwing rocks at vehicles. And it all works beautifully and without much, if any, pretentiousness. Also, the opening scene kicks ass.
Personal story: There’s something about Irish movies (and, in lack of a better term, Irish mentality) that I really like. Life and people seem pretty similar to those in my culture, but here I’m not emotionally involved and I’m able to distant myself enough to truly enjoy and appreciate a work of art.
9. Children of Men (2006)
Arguably, one of the best directed and visually stunning films of the decade. The only reason it’s made to the ninth place only is the fact there’s no strong personal story behind it, if you don’t count intellectual factor. In so many ways, this film is perfectly shot, and the vision of the future (if it’s future at all) is memorable. The directing is perfect: everything seems so realistic. So many unforgettable scenes, with car chase and murder being one of them, but my favourite is the one in which they take the baby out of a building and for the moment, fight and gunshots stop, and everything is silent, only to be resumed in the next second. Such a powerful movie.
Personal story: Not much of it, except the fact I like good dystopian films. What I loved about this one is the lack of excessive pathos and the way it all seemed so realistic.
8. Atonement (2007)
This movie had an extremely difficult task: to be a decent adaptation of one of the best novels of the decade (Ian McEwan’s story is amazing beyond words). In a way, the novel is un-adoptable, because of the nature of the material. Still, it was a very good adaptation, and even Keira Knightley was decent. No matter what some people say, the adaptation was quite good; Joe Wright is one of those directors who know how to read the source material and see what’s the most important and the best way to tell it. Still not as good as the book, of course, but quite good.
Personal story: “Atonement” is one of my favourite books, and it’s not something that can easily be adapted for the screen (due to the fact it’s a book about writing). Still, I liked the way they did it. Also, the film is visually beautiful and the acting is quite good.
7. 28 Days Later (2002)
For many people, the best thing about this film is the fact it redefined the zombie genre. But it’s not something I care about. Zombies are irrelevant; it is a film about human nature. I like everything about it: the story, the characters, the sloppy, at times amateurish-looking editing, the music. It also has a few incredibly memorable scenes: the haunting beginning in the deserted London, and the mansion scene in which Jim goes batshit crazy in rage.
Personal story: Like I said, I’m a sucker for good dystipian films, but there’s more. What I loved about this film is the fact it appeared to be about zombies, but it’s in fact about something else (human nature). It’s the point in which it totally blew me away. I still prefer the alternative ending, though.
6. The Triplets of Belleville (2003)
This was a decade of great animated movies, particularly the Pixar ones (Ratatouille being my favourite). But the best animated film of the decade is, hands down, The Triplets of Belleville (I haven’t seen Spirited Away, though). It’s a masterpiece. And it’s not just about the story itself or the animation. It’s the incredible atmosphere, so nostalgic and unique. And how did they manage to make a movie with almost no dialogues not boring or slow? A truly amazing film.
Personal story: There is a personal story behind it, about my husband and I watching this film for the first time (in early 2005).
Part two: Click.
Into the Wild, Sunshine, In Bruges, Ratatouille, Juno, Pride and Prejudice. (And probably so many I forgot to mention at the moment!)